The new Kirk and crew must figure out the secret of the evil Krall before he destroys the Federation.

Release Date: July 29, 2016
Writer: Simon Pegg
Director: Justin Lin
Cast: Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Karl Urban, Anton Yelchin, Idiris Elba

The film picks up with Captain Kirk (Chris Pine) and the crew of the Enterprise already three years into its five-year mission. Kirk is growing weary of one diplomatic mission after another and is considering retiring from the monotony of space travel. Spock (Zachary Quinto), on the other hand, has his thoughts focused on the remaining members of his species. After receiving bad news from New Vulcan, Spock is also considering retiring to help with the proliferation of his people.

The setting of Star Trek Beyond is the massive space station, known as Yorktown. Created inside a protective sphere, this space “city” holds millions of people from a vast variety of alien races, which comprise the current Federation of Planet.

Trouble stirs when an alien ship approaches the space station and its captain requests the help of the Enterprise to rescue its crew abandoned on the other side of the nearby nebula. With Federation approval, the Kirk and crew agree with assist with the rescue and upon arrival the crew finds itself in the middle of a sneak attack from the villain Krall (Idris Elba). Forced to abandon ship, the Enterprise crew is separated. They must find away to regroup, figure out who Krall is and how to return to the Yorktown and warn them of Krall’s plans.

Star Trek Beyond gets the crew of the Enterprise beyond its origins highlighted in the first two films. It shows the new crew of the Enterprise fully engaged in the original mission of the series of seeking out new worlds and civilizations. Star Trek Beyond’s main plot is an attack on that mission. It starts with Captain Kirk trying to broker peace between two warring species and ends with Krall trying to put an end to the growing expansion of the Federation.

Star Trek movies have succeeded when the film are not 2-hour episodes, but more an action adventure with high stakes. They work when the consequences of failure are dire. For Star Trek Beyond, they’ve succeeded in finding the balance and creating a high-stakes, high-adventure, 2-hour episode. Writer Simon Pegg uses the attack on the Enterprise to split the crew up and force the volatile pairings of Kirk/Chekhov/Scotty, McCoy/Spock and Uhura/Sulu to grow, develop and work together to overcome their impossible situation.

The strength of the successful Star Trek movies, including this one, have always been the crew. When most of the film focuses solely Shatner or Stewart, it fails because, as fans, we love the individual members and want to see everyone get their fair chance at saving the universe.

Star Trek Beyond also succeeds because the story is clover, the action makes sense for the most part and the nostalgic reasons we love Star Trek are also there. I also like that we’re finally engaged in the voyages of the starship Enterprise.

Star Trek is a good film and should appeal to casual fans and Trekkies alike. There are only two moments that fell flat. The first is the opening sequence, when Kirk is brokering peace between two alien cultures. The moment is basically a comedic gag and played solely for laughs. Yes, it was funny, but that is the wrong tone to start a Star Trek film. It presents the movie as a comedy right off the bat, when film is clearly meant to be more than light fun.

The second moment is the first attack on the Enterprise by Krall. The segment just went on too long. Director Justin Lin tells a great story here, but the entire attack segment just won’t end. The action sequence feels like it goes on forever and you have to let audiences breathe once in a while.

Overall, Star Trek Beyond has found a place on the mantle of Star Trek movies. What’s missing is a sense of importance that the best Star Trek movies have to the Star Trek universe. Star Trek Beyond is fun but not profound.

7 out of 10 stars

Kung Fu Panda 3 is a solid film for both children and adults, but mostly children. It’s the story of Po (Jack Black), the greatest warrior in the ultimate search for who he really is.

Release Date: January 29, 2016
Writer: Jonathan Aibel, Glenn Berger
Director: Alessandro Carloni, Jennifer Yuh
Cast: Jack Black, Dustin Hoffman, Bryan Cranston, Angelina Jolie, Jackie Chan, Seth Rogan, Lucy Liu

After two full-length features and a television show, Dragon Warrior Po (Jack Black) is the hero and guardian of China and specifically, the Jade Palace. Po’s greatness has progressed to the point that his Master, Shifu (Dustin Hoffman) has made Po the new Master of the Jade Palace. Po does not feel he is ready to be the new master, let along the new teacher of warriors. He quickly fails at training his crew: Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogan), Viper (Lucy Liu) and Crane (David Cross).

Meanwhile, in the spirit realm, a new threat is brewing. The evil Kai (J.K. Simmons) is collecting the “chi” of all the great kung fu masters. Set on vengeance against his one-time friend and greatest warrior, Oogway (Randall Duk Kim), Kai has the power to steal of chi of any living being and turn them into Jade monsters. His ultimate goal is to return to the mortal world and steal the chi of the last great warrior, Po.

Back in the mortal realm, a mysterious stranger arrives, and it turns out to be Po’s father, Li (Bryan Cranston). Thinking he was the last of the pandas, Po returns to the Panda villiage with his father, Li hoping there he can learn the power of chi and save his friends and all of China. Po returns to learn the slow and lazy life of his panda ancestry. In the meantime, the rest of China is slowly being overrun by Kai and his ever growing jade warriors.

Can Po learn the lesson of chi from his fellow pandas? Can he become strong enough to defeat the powerful Kai? Can Po learn who he is and become a great teacher?

Kung Fu Panda 3 is a solid story for children and adults. Kids will love the numerous battle scenes, and adults will admire the beautiful landscape and artistry of its Chinese origins. Jack Black continues to bring his likable persona to Po, and Dustin Hoffman shines again as the wise teacher Shifu. Best of all, the ultimate lesson of being the best you, you can be, is not lost on the young audience.

Also shining is veteran Asian actor James Hong as Po’s adopted father, Mr. Ping. He more than matches the wit and humor of Po as the father, who is about to lose his son to his real father. The Chinese culture also shines throughout the movie. Already noted are its beautiful landscape, food, and artistic dream sequences.

It’s hard to find good films for children during the winter period. Kung Fu Panda 3 is a great moment to get out of the rain and laugh with the little one. There was a lot of laughter in Kung Fu Panda 3.

7 out of 10

In 2003, Finding Nemo captured the hearts of young and old alike. So Pixar jumped on the opportunity to capitalize on a sequel. Thirteen years later, Finding Dory continues a year from the events of Finding Nemo.

Release Date: June 17, 2016
Writer: Victoria Strouse, Andrew Stanton
Director: Andrew Stanton
Cast: Albert Brooks, Ellen DeGeneres, Eugene Levy, Diane Keaton, Ty Burrell, Ed O’Neil, Kaitlin Olson

Fans of Finding Nemo, know that Dory (Ellen DeGeneres) suffers from short-term memory loss. Now that she has found a new home and new family with Marlin (Albert Brooks) and his son, Nemo (Hayden Rolence), Dory is starting to remember things. Specifically, she’s remembering her parents (Eugene Levy and Diane Keaton) and the moments she separated from them.

Dory quickly convinces Marlin and Nemo to help her find her parents by traveling from Australia to Morro Bay, California to a marine life rehabilitation center. Dory is aided in her search by Hank (Ed O’Neil) the Octopus, old friend Destiny (Kaitlin Olson) and Bailey (Ty Burrell), the beluga whale.

Like the original, Finding Dory takes the idea of children and friends being lost/separated and tells it in a fresh way. As a parent, stories of losing children is a scary prospect and made the story of young Dory hard to watch without thinking of my own child. But this is what Pixar does best. They tell an exciting story with high stakes and then proceed to jerk you around emotionally. Here’s a little cute fish and her loving parents and an incredible amount of foreshadowing that this fish is going to be lost for a long time.

The other thing that Pixar does well is the sucker punch. No plan is ever as easy as it sounds. All routes that appear to solve the problem is quickly shut down. Ultimately, this becomes the theme of the movie. Dory is the only character in the film, that is oblivious to the problems and easy solutions around her. Yet, she is the one who manages to solve all the problems.

Pixar just manages to push out great film after great film, and Finding Dory deserves its spot on the shelf. Although it will probably sit in the middle of the pack, it is a fun movie, touching story and another repeat-viewing candidate for you and you children.

7 out of 10 stars

In 2003, Finding Nemo captured the hearts of young and old alike. So Pixar jumped on the opportunity to capitalize on a sequel. Thirteen years later, Finding Dory continues a year from the events of Finding Nemo.

Release Date: June 17, 2016
Writer: Victoria Strouse, Andrew Stanton
Director: Andrew Stanton
Cast: Albert Brooks, Ellen DeGeneres, Eugene Levy, Diane Keaton, Ty Burrell, Ed O’Neil, Kaitlin Olson

Fans of Finding Nemo, know that Dory (Ellen DeGeneres) suffers from short-term memory loss. Now that she has found a new home and new family with Marlin (Albert Brooks) and his son, Nemo (Hayden Rolence), Dory is starting to remember things. Specifically, she’s remembering her parents (Eugene Levy and Diane Keaton) and the moments she separated from them.

Dory quickly convinces Marlin and Nemo to help her find her parents by traveling from Australia to Morro Bay, California to a marine life rehabilitation center. Dory is aided in her search by Hank (Ed O’Neil) the Octopus, old friend Destiny (Kaitlin Olson) and Bailey (Ty Burrell), the beluga whale.

Like the original, Finding Dory takes the idea of children and friends being lost/separated and tells it in a fresh way. As a parent, stories of losing children is a scary prospect and made the story of young Dory hard to watch without thinking of my own child. But this is what Pixar does best. They tell an exciting story with high stakes and then proceed to jerk you around emotionally. Here’s a little cute fish and her loving parents and an incredible amount of foreshadowing that this fish is going to be lost for a long time.

The other thing that Pixar does well is the sucker punch. No plan is ever as easy as it sounds. All routes that appear to solve the problem is quickly shut down. Ultimately, this becomes the theme of the movie. Dory is the only character in the film, that is oblivious to the problems and easy solutions around her. Yet, she is the one who manages to solve all the problems.

Pixar just manages to push out great film after great film, and Finding Dory deserves its spot on the shelf. Although it will probably sit in the middle of the pack, it is a fun movie, touching story and another repeat-viewing candidate for you and your children.

7 out of 10 stars

Ghostbusters returned in a brand new reboot. Yes, it features a new timeline, new reality and new cast.

Release Date: July 15, 2016
Writer: Paul Feig
Director: Paul Feig
Cast: Kristin Wiig, Melissa McCarthy, Kate McKinnon, Leslie Jones, Chris Hemsworth

Erin Gilbert (Kristin Wiig) is a university professor of physics looking to obtain tenure at her job. Her problem is in the past she wrote a book with her childhood friend, Abby Yates (Melissa McCarthy) proving the physics around the paranormal. Basically, she proved through science that ghosts exist. Abby recently published that book and now Erin’s job is on the line.

Meanwhile, New York is experiencing an increased level of paranormal activity. Someone is place devices throughout the city that amplifies that manifestation of such ghosts. Abby with her partner, Jillian Holtzmann (Kate McKinnon), convince Erin to investigate the occurrence at a local historical landmark. Then again in a subway tunnel, where they meet Patty Tolan (Leslie Jones). This is the origin story of the new Ghostbusters.

The original Ghostbusters was never really a movie about guys who battle ghosts. It was an ensemble piece featuring Harold Ramis, Dan Ackroyd and Bill Murray. The purpose of the movie was to put these guys together and make a funny movie.

The new Ghostbusters is exactly the same thing. Bring together the talents of Kristin Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones and make a funny movie. The cast is perfect and well balanced. Wiig and McCarthy are the anchors to the team and together are a modern-day female Laurel and Hardy. Wiig playing the straight person and McCarthy walking the two into trouble.

Fans of Saturday Night Live will love the performances of McKinnon and Jones. Kate McKinnon has some brilliant moments on screen, especially at the end. Leslie Jones bring much-needed energy to the ensemble and plays the perfect contrast in attitude for the ensemble.

The story is fine. Paul Feig always manages to string together a solid story and the acting makes up for any perceived weaknesses in plot and science talk. The ending is a little problematic as all the little fantastic moments throughout the film lead up to a less than spectacular ending. What I’m saying is the small fight scenes with the ghost are exciting and fun to watch and it leads to a climax that does not match the events leading to it.

Feig manages to pay homage to the original Ghostbusters. The surviving members (sans Rick Moranis) make cameos throughout the film. Bill Murray manages to slip in the film with a character that moves the plot along. Feig also likes to throw a few curveballs at moments you would expect an obvious reference to the past. He’s real good at that.

But I laughed and that’s the job of comedies. Make me laugh and you will too. Put these four actresses in any movie and I’ll watch it.

7 out of 10 stars

From director Bryan Singer and writer Simon Kinberg, X-Men: Apocalypse resurrects the first and most powerful mutant to do battle against the infamous X-Men.

Release Date: May 27, 2016
Writer: Simon Kinberg
Director: Bryan Singer
Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne

Since the dawn of civilization, the first mutant Apocalypse (Oscar Isaac) escaped death by moving his essence from mutant host to mutant host. With each transition, he would take on that mutant’s power. As he became more powerful, the humans around him would worship him as God.

That is until that last transition, when the human, who served him, revolted and was able to defeat Apocalypse. But defeat and death are two different things. For the next several millennia, efforts have been made to dig Apocalypse from his grave. All attempts unsuccessful…until the 1980’s.

It has been ten years since the events of X-Men: Days of Future Past. Charles Xavier (James McAvoy) has built a school out of his mansion home. Mystique (Jennifer Lawrence) has been rescuing mutants from abuse and exploitation. In the process, she has become a hero to other mutants. Magneto (Michael Fassbender) has withdrawn into hidden seclusion with his new wife and daughter.

At the new school, Xavier gives each student a proper education and help in controlling his/her powers. With dreams of one-day uniting humans and mutants, Xavier is optimistic about the progress of his school. He is faced with some challenging students. Jean Grey (Sophie Turner) is a telepath, which is more powerful and more dangerous than Xavier. Scott Summers (Tye Sheridan) emits a dangerously powerful optic blast from his eye and needs help controlling it.

The students are now called prematurely into action when Apocalypse arrives and recruits his four horsemen: Angel (Ben Hardy), Psylocke (Oliva Munn), Storm (Alexandra Shipp) and yes…Magneto. After the betrayal of his friends and neighbors, Erik’s wife and daughter are killed. As Magneto, Erik joins Apocalypse to once and for all put an end to the reign of humans on Earth.

As you can see, there is a lot of story going on in X-Men: Apocalypse. This is also the main problem of the movie. In a superhero movie, audiences want action and except for a few minor set pieces, the action does not happen until the third act of the film. The first two acts hint at the powers of most characters, but it is really Xavier and Magneto who have the action. This action is McAvoy putting his fingers to his head and people doing what he says. Then there is Magneto with his hands in magicians pose while special effects happen around him.

If there is anything good about this X-Men movie, it is the final fight in the third act, when everyone’s powers are on display. This is the moment that the movie feels like a comic book. The exception is the horrible fights with Beast (Nicholas Hoult). It looks awkward and clumsy. The wire work just looks silly. The problem is you will have to sit through the first two acts to get there.

The early part of the film has good acting, over the top comic book drama, and a little too much humanizing the characters, so that we can relate to the story. You can tell the film still needed more exposition. It is still unclear, what Apocalypse’s powers are. The big cameo just at the end of the second act looks rather silly and a waste of the talent.

Again, my complaint is that we want to see mutant powers in action. It’s clear that Jennifer Lawrence is a big star…rightfully so. But as the chameleon, Mystique, she changes from maybe twice and is rarely ever in her blue makeup. Is this the perk of being a big star. Kodi Smit-McPhee is cool as my favorite X-Men, Nightcrawler. There is a lot of teleporting. Thank you, Bryan Singer. Evan Peters also returns as Quicksilver with a scene that almost tops the slow-motion segment in Day of Future Past. Nice try, Bryan Singer.

By no means, is X-Men: Apocalypse a great X-Men movie. It is barely a good one. By no means, is it as bad as Superman v. Batman. With the strides that Marvel Studios and Disney have brought to the superhero genre, we expect better from a team that is rich in amazing source material.

6 out of 10 stars

From writer/director Shane Black, The Nice Guys is a fun comedy thriller returning the fun the buddy films that has been missing since his first movie, Lethal Weapon.

Release Date: May 20, 2016
Writer: Shane Black, Anthony Bagarozzi
Director: Shane Black
Cast: Russell Crowe, Ryan Gosling, Angourri Rice, Matt Bomer

Taking place in 70’s Los Angeles, where the smog keeps its citizens indoors, and the gas shortage keeps them from leaving, two private investigators search for a missing girl, Amelia (Margaret Quailey), who doesn’t want to be found.

Holland March (Ryan Gosling) is a real private investigator hired by the mother of a murdered porn star to find her daughter after she sees her two days after her death. As a former cop, March takes small jobs from elderly seniors to support his daughter, Holly (Angourie Rice). Jauckson Healy (Russell Crowe) wants to be a private investigator, but realizes that he is more valuable as a hired thug. Healy is hired by Amelia to stop March from finding her.

Shane Black tells a fantastic story of these two unlikely PI’s. It is clear that director Black likes to play against type. As March, Gosling appears to be the goody-two-shoes and straight-laced investigator, but he has problems with drinking and literally stumbles into the important clues. As the hired thug, Crowe plays Healy as the healvy, who wants nothing to do with the immature behavior of March.

Black is at his best by keeping audiences on its toes. Little mundane details at the beginning of the movie play a role in complicating. Black also likes to play against tropes and The Nice Guys becomes a series of mishaps that work together to solve the big case. Never knowing exactly where the movie is going next makes The Nice Guys the fun thriller to see this year.

Angourie Rice is fantastic as March’s daughter Holly. She is constantly in danger or constantly puts herself in danger and has the maturity to get out of tough situations. Although, this movie makes March a really bad father by all of the time his daughter is captured or almost killed.

Humorous moments come from the banter between March and Healy. It also comes from the fact that their plans of solving this case ever work the way they think.  The Nice Guys will hopefully find its way to becoming Black’s next franchise movie. Please let a sequel be in the works.

8 out of 10 stars